Space Invader collage made using British postage stamps

This mosaic is composed entirely of British postage stamps featuring King Charles III and Queen Elizabeth II. Created for a group exhibition on the theme of ‘digital,’ the work merges state-issued symbols of monarchy with the pixelated alien from the 1970s arcade game Space Invaders. Click here for more mosaics.

 
An arrangement of 85 oil and watercolour paint tubes, mounted on board

“All the paintings not yet painted” is a composition of 85 tubes of oil and watercolour paint, arranged in a 17 x 5 grid in a shallow box frame. They are fixed to mount board.

 
Mosaic of Samuel on display at Firstsite, Colchester

My mosaic of Samuel on display at Firstsite gallery in Colchester as part of the Voyager 2000: Worldbeing & Wonder? exhibition. Click the image to see the original and read more about how it was created.

Drawing of a man holding a mug, drawn using only circles

This portrait, drawn using a Pilot rollerball on A1 paper, is composed solely of circles of different sizes. Click the image to see more detail.

 
Charcoal sketch of a male torso

This sketch of Ryan was completed at an in-person sitting, using charcoal pencils on toned paper. Click the image for a larger version, and click here for other life drawings.

 
Nude male model printed using the cyanotype process on an offcut of an old map.

One of a collection of cyanotype photographs produced using sections of old Ordnance Survey maps.

 
Landscape of laser-cut birch panels painted shades of red and white.

Red landform is my largest laser cut landscape to date. It’s A3, and comprises 14 panels painted various shades of red and white.

Drop me a line

Hello. Nik here. Thanks for visiting. Would you like to get in touch? If so, you can send me an email by addressing it to my first name at this domain. I'm sure you can work out what that means. I'd rather not put my details online in plain text for obvious reasons. If, however, you'd rather fill out a contact form, you can do so by clicking here.

 

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